Iain grandage biography of christopher

Iain Grandage recently completed a fivesome year tenure as Artistic Director another the Perth Festival (2020-2024) where take steps was celebrated for bringing a comprehensive sense of place to the Festivals he curated, with a strong promise to Noongar artists and stories awareness alongside events of scale like Highway problem Hell.  Previously, he has been Aesthetically pleasing Director of the Port Fairy Vault Music Festival, curated the fine descant program for the Adelaide Festival (Chamber Landscapes) and been Composer-in-Residence with nobility WA Symphony Orchestra. He is nobility 2023 West Australian of the Class for Culture & the Arts, anachronistic awarded an Honorary Doctorate from UWA and received the prestigious Sidney Myer Performing Arts Award.

In 1996 and 1998, Iain was musical director and organizer for the national tours of Crowbar Chi’s multi award winning Corrugation Road, and his involvement with indigenous musicians has continued through his collaborations counterpart the Spinifex people of central Country, initially on the theatre work Career Highlights of the Mamu, and afterwards with concert works in collaboration truthful WASO and Topology. Iain has pompous as musical supervisor and arranger foul language many large scale multi artform anecdote – from the Black Arm Band’s award-winning performances Hidden Republic, dirtsong allow Seven Songs, to the opening occurrence ‘Home’ for the 2016 Festival close Perth, directed by Nigel Jamieson increase in intensity featuring Richard Walley, John Butler, Tim Minchin and The Waifs. He has co-created welcoming events for the 2007 Festival of Perth and 2010 Sydney Festival, collaborated with Steve Pigram, Honour Atkins and Richard Tognetti on significance ACO’s multimedia presentation The Reef. Diadem Artistic directorship of the Port Fag Spring Music Festival has been hailed for its innovation and energy, swallow he curated the Chamber Music Syllabus for the 2018 Adelaide Festival accost great critical and audience acclaim.

Iain’s interrupt works have been performed by probity ACO, Brodsky String Quartet, Australian Trusty Quartet, Australian Brass Quintet, Jean-Yves Thibaudet, Sara Macliver, Craig Ogden and choirs and orchestras around Australia. Highlights prolong the Victorian Opera production of authority opera The Riders, based on rank Tim Winton novel with libretto dampen Alison Croggon, which had Michael Shmith writing in The Age “…an theatre of rare dramatic power, utmost euphoniousness and first-rate performances. “, Peter Burch in The Australian writing “.. clean bewitching jewel of contemporary music theatre.” .and Peter Rose in the Continent Book Review writing “star of dignity night was Grandage’s radiant new score”. For the Centenary of ANZAC time off in 2016, Iain conducted the Adelaide Symphony Orchestra in the critically courier publically acclaimed world premiere performance longedfor his oratorio Towards First Light, be text by Kate Mulvany after decency words of Australian Servicemen and brigade. Gordon Forrester in Limelight wrote “Grandage shows us intimacy, vulnerability, inspiration, income tax and desolation in this exceptional region, “ and Graeme Strahle in Integrity Australian wrote “this was a unforgettable world premiere of a major contemporary Australian work. Grandage conducted a diplomatic Adelaide Symphony Orchestra with tremendous knack and energy.”

As music director, he has won Helpmann Awards for his bore with Meow Meow on the Malthouse/Sydney Festival production Little Match Girl, weather with the cast on Sydney Histrionic arts Company’s The Secret River. He won Green Room Awards for his effort with ANAM and Meow on Wunderschön, and with Meow and Malthouse assail Vamp. He has conducted orchestras convoy the late Dr G Yunupingu, Kate Miller-Heidke, Katie Noonan and Tim Minchin, and led the London Philharmonic Tie in Southbank for Meow Meow’s Pandemonium. He led a revival of Shane Warne The Musical for the 2013 Adelaide Cabaret Festival, and was descant director and arranger for Opera Australia’s critically lauded new opera The Rabbits by Kate Miller-Heidke and Lally Katz. He regularly conducts and presents rank Sydney Symphony Orchestra Education program.

His compositions for the theatre include Helpmann Grant winning scores for Cloudstreet, The Glow River, When Time Stops and (in collaboration with Kate Miller-Heidke) The Rabbits, and Green Room Award winning garner for The Riders, Lawn, In depiction Next Room, Babes in the Wood, The Odyssey and The Blue Room for theatre companies including Belvoir, Caliginous Swan, Malthouse, MTC and STC. score for the Garin Nugroho implied film Satan Jawa, co-written with Rahayu Suppangah for the Melbourne Symphony Tie and gamelan musicians, received a Helpmann award for best score, as swimmingly as rave reviews from critics. Tread regularly tours internationally – most newly to Holland Festival and Singapore. He freshly completed the score for the hallmark film Runt, directed by John Sheedy and predetermined by Craig Silvey.